Heron Oblivion’s U.S. tour schedule in support of their self-titled debut, has been extended, and now spans March 3rd in Oakland, CA at Starline Social Club though June 18th in Portland, OR at Mississippi Studios. Newly added dates include stops in Philadelphia, Brooklyn, DC, Cleveland, Detroit, and Chicago in late May and early June. Additionally, Heron Oblivion’s festival schedule includes: March 11th in Marfa, TX for Marfa Myths; June 10th -11th in Sonoma, CA at Huichica Music Festival; and the Levitation Festival’s two North American dates, held on April 30th in Austin and June 17th in Vancouver. (complete tour dates below.)
You can now hear Heron Oblivion in full via NPR Music’s “First Listen”.
NPR Music says of the album: “Heron Oblivion shows an uncanny ability to merge and move between authentic forms of psychedelic expression, be they slow burners like “Beneath Fields” and the 10-minute “Rama,” or in woollier offerings like “Oriar” and the whammy-bar-heavy “Faro,” in which Baird enters a vocal trance from which many might never return. Across the whole endeavor, Saufley and Harmonson display a shared language of dynamic shifts and withering, feedback-laden bursts of guitar that create a deeply unsettling effect. Miller hangs back, providing a near-perfect foil to Baird’s minimalist, atmospheric percussion.
“Still, it’s Baird’s voice that sets Heron Oblivion apart: Clear and breathy, it evokes the spirits of Sandy Denny, Trees’ Celia Humphris, Judy Dyble, and the vocal performers from the Wicker Man soundtrack, among others. It cuts through even the grimiest displays of noise the band can muster, punctuating the band’s doom-laden sentiments with bell-tolling finality and grave seriousness. Even if it’s not what the group had envisioned as its calling card, that stern mood helps Heron Oblivion stand out. With any luck, this music will mark a sea change in how we approach psychedelic music in general: as a sound that’s both rooted in history and geared toward the future (see “First Listen” February 24th).”
Heron Oblivion will be released on CD / LP / DL / CASS worldwide Friday, March 4th through Sub Pop. The album, which features the highlights “Oriar”, “Beneath Fields”, “Your Hollows” and “Sudden Lament”, was produced and mixed by the band in San Francisco at The Mansion.
Heron Oblivion is now available for preorder from the Sub Pop Mega Mart, iTunes, Amazon, Google Play and Bandcamp. LP preorders from megamart.subpop.com will receive the limited “Loser” edition on clear vinyl with a white swirl (while supplies last). Additionally, a slate gray T-shirt will be available with CD and LP bundles and as a stand alone item.
More on Heron Oblivion from WFMU’s Brian Turner:
Pastoral pummel. Listening to Heron Oblivion’s album feels like sitting in a lovely meadow in the shadow of a dam that’s gonna heave-ho’ any minute. Members of this new San Francisco combo have put in time in both raging and relatively tranquil psychedelic sound units—this is the premise and the synergy behind this very unique and special new album (read more at Sub Pop).
Mar. 03 – Oakland, CA – Starline Social Club*
Mar. 04 – San Francisco, CA – Amoeba Records (instore)
Mar. 05 – Los Angeles, CA – Resident^
Mar. 06 – San Diego, CA – ‘Til Two
Mar. 11 – Marfa, TX – Marfa Myths
Mar. 20 – Santa Cruz, CA – Don Quixote’s International Music Hall**
Apr. 30 – Austin, TX – Levitation Festival
Jun. 17 – Vancouver, BC – Levitation Vancouver (Cobalt)
May 27 – Philadelphia, PA – Boot & Saddle
May 28 – Brooklyn, NY – Union Pool
May 31 – Washington, DC – DC9
Jun. 01 – Cleveland Heights, OH – Grog Shop
Jun. 02 – Detroit, MI – UFO Factory
Jun. 03 – Chicago, IL – Beat Kitchen
Jun. 10-11 – Sonoma, CA – Huichica Music Festival
Jun. 16 – Seattle, WA – Sunset Tavern
Jun. 17 – Vancouver, BC – Levitation Vancouver – Cobalt
Jun. 18 – Portland, OR – Mississippi Studios
* with CCR Headcleaner, Bill Orcutt
^ with Morgan Delt, Itasca
** with Fred & Toody (of Dead Moon)
Tour ticket links reside in this place.
What people are saying about Heron Oblivion:
“…A raging new psych band.” – Uncut
“These San Franciscans are that rarest of beasts: a supergroup that delivers more than the sum of its parts. Their debut album triumphs, thanks to how well those constituent parts complement each other…Heron Oblivion’s blend of tender melodies and lysergic moods works so well you wonder why these kindred spirits waited so long to collaborate; let’s hope it’s no one-off.” [4/5] – MOJO
“Anyone hoping to hear the mash-up of extroverted guitar blowouts and folk-derived lyricism promised by their collective CV will get what they came for, but Heron Oblivion’s root equation is multivariate multiplication, not addition. The way they factor in bits of Crazy Horse, Fairport Convention, and The Stooges and High Rise gets complicated in a hurry, so that even when you recognize the elements they own the final sum.” – The Wire
“…Like Pentangle and Black Mountain gorging on magic mushrooms at a woodland commune” – Q
“Whereas Baird’s serene vocals are reminiscent of folk greats like Sandy Denny, the unhinged guitars are pure psych firework displays, exploding frequently, shimmering and screaming, waningmomentarily into the background, and then blasting off again with frazzled gusto.” – The Quietus
“Expressive guitar lines laced with feedback sprawl out again and again without trailing away too far. Meg Baird’s serene voice harkens back to ’60s folk singers, subdued in a way that lends special gravity without being bombastic. Frankly, the group sounds exactly like what psychedelic rock should sound like.” [“Oriar”] –Stereogum
“Not much of HO’s music lives online at the moment, but what’s there suggests a group— Ethan Miller, Noel V. Harmonson, Meg Baird, and Charles Saufley—who like to jam for long durations in the fuzzy, fiery guitar-laden zone where Neil Young’s Zuma meets Joe Walsh-era James Gang. (One track is called “Funeral Funk 49,” and while it’s not as funky as James Gang’s 1970 hit, it takes you deeper into trance land.) Heron Oblivion alsoclaim influences from the Japanese power-psych label PSF and UK electric folk rock, and Baird’s vocals counterbalance the swarming sound with a dulcet breeziness.” – The Stranger
“San Francisco band Heron Oblivion (who just signed with Sub Pop) opened the night. Fronted by singer/drummer Meg Baird of the Espers (and a Philly ex-pat who’s sung backing vocals for Vile), the band set the tone for the night with some moody psych-folk/noise rock that was made all the more impressive when paired with Baird’s powerful, haunting voice.” – Three Match Breeze