After global resurgence of ‘When It’s Cold I’d Like To Die’, Moby announces a new remix package of the track

MOBY

ANNOUNCES ‘WHEN IT’S COLD I’D LIKE TO DIE’ REMIX PACKAGE

FEATURING NEW REMIXES FROM JOHN TEJADA, NOHR AND HIGH BEAM

ALONGSIDE EIGHT MOBY REMIXES AND AN ACAPELLA VERSION

OUT 13TH MARCH VIA BMG

NEW ALBUM FUTURE QUIET IS OUT NOW

WILL PLAY COACHELLA IN APRIL

AND BIGGEST EUROPEAN TOUR IN A DECADE THIS SUMMER

Following the global resurgence of ‘When It’s Cold I’d Like To Die’, Moby announces a major new remix package of the track, released Friday 13th March via BMG.

The release reimagines the 2026 version from Moby’s latest album Future Quiet, featuring Jacob Lusk’s extraordinary vocal performance. It includes eight new remixes by Moby himself, an acapella version, and new remixes from John Tejada, NOHR and High Beam – each offering a distinct emotional and sonic perspective on one of his most enduring compositions.

Originally released in 1995 on Everything Is Wrong, ‘When It’s Cold I’d Like To Die’ has found a powerful new global audience in recent years through its use in the Netflix phenomenon Stranger Things, becoming Moby’s most streamed song and introducing his music to an entirely new generation of listeners. The 2026 reworking with Jacob Lusk reframed the track for a contemporary moment; this new remix collection extends that evolution into club culture and deeper electronic territories.

John Tejada lends his intricate touch to the track with a masterclass in atmospheric techno, grounding Lusk’s gospel-infused interpretation with crisp percussion, warm basslines and evolving melodic synths while preserving the original’s emotional gravitas.

NOHR delivers a reverent and euphoric reinterpretation shaped by lush sound design, understated rhythms and expansive ambient textures, transforming the track into a hypnotic and deeply immersive listening experience.

High Beam brings an uplifting, expansive energy to the release, pairing driving rhythms and anthemic synths with Lusk’s soaring vocal to create a powerful and emotionally resonant dancefloor moment.

Together with Moby’s own reworks – which range from minimal and meditative to propulsive and club-driven – the package shows how naturally the track moves between emotional listening and the dancefloor.

The release arrives as he prepares for Coachella in April and a major European summer tour including sold-out UK shows at On The Beach, Brighton, London’s Old Royal Naval College and the Irish Museum of Modern Art Kilmainham, Dublin.

‘FUTURE QUIET’ QUOTES

“The perfect antidote to anxiety… Wonderful.” ★★★★  – The Sun

“Chillout mastermind locates a place of Zen… he’s struck a rich seam somewhere between ambient and classical music… graceful in its poise.” – UNCUT

“a semi-classical piece of calming power… beauty, with soaring strings and heavenly choirs.” – The Sunday Times

“a set of 14 lovely piano and synth-heavy soundscapes … shimmeringly beautiful stuff.” – Record Collector

“‘It’s an album of bliss and quiet euphoria… It is the offering of one of the genius producers of our time.” – CLASH

“a pioneer, a true muse, the man who spearheaded 1990s dance music and brought it to the mainstream… Moby has more than proven that he deserves to be hailed as a musical maestroof the highest order. Whether it’s in filling dance floors or the most intimate of all candlelit concerts, he commands a power which is both endearing and endlessly enigmatic.” – Far Out 

“Future Quiet is a soft suite for piano, synths, strings and occasional voice, conceived as a musical refuge in a noisy world.” – The Scotsman

“Regenerating his introverted side, this straight-from-the-heart outing offers private musical ambience to soothe and console…  Future Quiet helps its listeners face the world with renewed clarity.” – Music OMH

“beautiful and frequently stunning… An album to lose yourself in, in a very good way.” – Hot Press 

“One of electronic music’s most visionary artists… A beautiful pause in time, it encompasses a minimalist piano, a soothing complexion in soaring strings and a collection of some of the most alluring vocal collaborations put to tape… For more than three decades, Moby’s Richard Melville has cemented his status as a music icon. Finding comfort in calm, Future Quiet is further proof of an artist who will perhaps never be lax in vision or process.” – When The Horn Blows

LIVE DATES:
April 10 + 17 – California, US – Coachella
June 26 – Odense, Denmark – Tinderbox Festival
June 29 – Istanbul, Turkey – Zorlu Performing Arts Center
July 1 – Athens, Greece – Release Athens
July 3 – Luxembourg – Neimenster – SOLD OUT 
July 5 – Werchter, Belgium – Rock Werchter
July 7 – Sevilla, Spain – Icónica Santalucia Sevilla Fest
July 8 – Madrid, Spain – Mad Cool Festival
July 10 – Eisenstadt, Austria – Butterfly Dance
July 11 – Weert, The Netherlands – Bospop Festival
July 12 – Stuttgart, Germany – Stuttgart Jazz Open Festival
July 14 – Modena, Italy – Modena Jazz Open Festival
July 17 – Ostrava, Czech Republic – Colors of Ostrava
July 19 – Plovdiv, Bulgaria – PhillGood Festival
July 21 – Belgrade, Serbia – Donji grad Kalemegdan Fortress
July 23 – Pula, Croatia – Pula Arena
July 26 – Brighton, England – On The Beach – SOLD OUT
July 30 – Tbilisi, Georgia – Rustavi International Motorpark
August 1 – Budapest, Hungary – Budapest Park
August 4 – Warsaw, Poland – Progresija Summer Stage
August 6 – Tartu, Estonia – Lauluväljak
August 8 – Vilnius, Lithuania – Kalnų Park
August 11 – Dresden, Germany – Filmnächte am Elbufer
August 13 – Gothenburg, Sweden – Way Out West Festival
August 15 – London, England – Old Royal Naval College – SOLD OUT
August 18 – Bonn, Germany – Kunst!Rasen
August 20 – Blagnac, France – MAD Summer (DJ GIG)
August 21 – Dublin, Ireland – Irish Museum of Modern Art Kilmainham – SOLD OUT
August 23 – Chateau-Gontier, France – V and B Fest