Attaque shares trippy visual for Lauer’s remix of ‘Now I’m Gone’ feat Sola
Attaque shares trippy visual for Lauer’s remix of ‘Now I’m Gone’ feat Sola
Spotify: https://open.spotify.com/track/3af9j38s2gPZJoXS9xzHWt
Having been ensconced in the studio working on his new album, British leftfield electronic artist Attaque (Dominic Gentry) pre-empts it’s release with a brand new track ‘Now I’m Gone’ featuring rising Bristol singer/producer Sola and is accompanied by a stunning deep tech remix courtesy of Frankfurt deep-house master Lauer.
Over a stop start synth laden rattle, on ‘Now I’m Gone’, guest vocalist Sola sings a lovelorn paean to a disintegrated relationship over intricate layers of synth melody, buzzing bass and heavy drums.
Dominic details the track: “I first heard Sola when Oscar at Monokrome played me her demos, I really loved the stripped down production and emotive honesty of the lyrics. I love what she has done to Now I’m Gone, it’s added another level to the emotiveness I was trying to encapsulate”.
He goes on to add: “I first came across Lauer while at Lost Village when I shazamed his remix of Misunderstood by Theo Kottis. I’ve been a fan of all of his work since so when it came to getting a remix, for ‘Now I’m Gone’ it had to be him”.
Attaque is an electronic artist whose exhilarating experiments with genre, rhythm and song-writing have seen him tipped for big things by The Guardian, Q, NME and Radio 1. His dance singles, melding two-step garage, minimal house and techno, have been championed by Tiga and Erol Alkan, while his first album, 2014’s On Ly Ou came decorated in beguiling details, twinkling bells and vocals, hinting at influences from Burial to Pantha Du Prince and Mogwai.
Gentry, originally from Colchester, has a keen ear for melody, and his music has a disarming emotional power. These qualities have earned him radio play from Lauren Laverne, Huw Stephens, Tom Ravenscroft and Toddla T, while his coruscating live show has graced stages in Fabric, London, at Glastonbury and Secret Garden Party, and around the world at Air Tokyo, Razzmatazz in Barcelona, Social Club Paris and Tomorrowland Belgium.
After extensive touring in 2014, Gentry built a new recording studio at a farm on the Essex-Suffolk border, producing for artists including Belgian techno maven Charlotte De Witte. But dissatisfied with the direction of his own material, in 2016 he set off around South East Asia with portable recording equipment. The inspiration came flooding out, and, now signed to Amplify Recordings, his new record Projection represents a bold new path for the producer.
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