LA MILANESIANA, conceived and directed by Elisabetta Sgarbi at the Ventidio Basso Theater
Literature, Music, Cinema, Science, Art, Philosophy, Theater, Law, Economics, Sports, Comics
Created and directed by Elisabetta Sgarbi
THE THEME OF THIS EDITION IS DESIRE AND LAW
Tomorrow in Ascoli Piceno
Vittorio and Elisabetta Sgarbi receive
the COMMEMORATIVE MEDAL awarded to Father GIUSEPPE SGARBI
for participation in the Second World War
Three events from tomorrow to July 10th
in the splendid setting of the
Ventidio Basso Theater of Ascoli Piceno
This year too, La Milanesiana, conceived and directed by Elisabetta Sgarbi, is ready to be welcomed to the Teatro Ventidio Basso in Ascoli Piceno with three performances from Wednesday, July 8th to Friday, July 10th.
Tomorrow , on the occasion of the first appointment, the Commemorative Medal due to Second Lieutenant Giuseppe Sgarbi for his participation in the 1940-43 war campaigns will be delivered to his children Vittorio and Elisabetta Sgarbi , as part of the Historical-Cultural project: “The War Memory of Italians in the World”.
The medal, awarded on behalf of the Ministry of Defense , recognizes the commitment of the fighters in the Second World War and is awarded in memory of the Commander-in-Chief Lieutenant Giuseppe Sgarbi, born in 1921.
The ceremony will be attended by Col. David Bastiani, Commander of the 235th “Piceno” Volunteer Training Regiment of Ascoli Piceno, and Cav. Joselito Scipioni, President of the Cultural Association “The War Memory of Italians in the World.”
Giuseppe Sgarbi, father of Vittorio and Elisabetta, practiced pharmacist in the countryside between Veneto and Emilia for nearly half a century. In 2014, at the age of 93, he made his debut in fiction with the novel Lungo l’argine del tempo. Memorie di un farmaci (Along the Bank of Time. Memoirs of a Pharmacist ) (winner of the Bancarella Award for First Work and the Martoglio International Prize), followed by Don’t Ask What the Future Will Be (2015), She Still Speaks to Me (2016, Riviera delle Palme Award), and Il canale dei cuori (2018). In 2021, Pupi Avati adapted She Still Speaks to Me into a film of the same name, starring Renato Pozzetto, Fabrizio Gifuni, Isabella Ragonese, Chiara Caselli, and Stefania Sandrelli.
In his books, Giuseppe Sgarbi also recounted his experiences at the front during the Second World War, in Greece and Albania.
” My father was very proud to have been a successful Second Lieutenant. He was a rigorous, authoritative, and very sweet man. He would have reacted, on the stage of the Ventidio Basso in his beloved Marche, with pride and emotion,” declared Elisabetta Sgarbi.
“My father Giuseppe, unlike my mother, was a man who exercised his presence in silence, as I do today,” says Vittorio Sgarbi. “This recognition recalls how much, within that silence, my father did, spoke, and lived. I thank my friend Walter Scotucci, who recovered the medals honoring my father’s commitment in the Second World War, and I therefore feel a son’s pride in acknowledging the dedication of a tenacious historian, determined to achieve the results he achieved.”
Below are the details of the three events in Ascoli Piceno.
On July 8, Vittorio Sgarbi will converse with Paolo Del Debbio and Stefano Papetti (Curator of the Municipal Collections of Ascoli Piceno), for an evening taking its title from Sgarbi’s publication “The Closest Sky. The Mountain in Art” (La nave di Teseo), a journey through the history of art , following in the footsteps of René de Chateaubriand, to recount nature and the mountains as interpreted by the greatest artists, from the 14th century to the present day. From the first painter to depict them, Giotto, the most human of all, to the Dolomites in Mantegna’s paintings, from the purity of Masolino’s landscapes to Leonardo’s rugged vistas, where rocks frame timeless virgins, to Dürer’s impalpable Alpine watercolors on their way from Venice to Germany. Alongside celebrated masters—Bellini, Giorgione, Titian, Turner, and Friedrich—Sgarbi recalls masterpieces by lesser-known artists who grew up in the provinces, such as Ubaldo Oppi, Afro Basaldella, and Tullio Garbari. A journey through the Alps and other Italian peaks, told through the realism of Courbet and the symbolism of Segantini, through the colors of Van Gogh, the expressionism of Munch, and the ghosts of Böklin, through the insights of Italo Mus, Dino Buzzati, and Zoran Mušič, all the way to the birth of mountain tourism, photography, and graphic art, which express the spirituality of the highlands in a new language.
The meeting will be opened by Francesca Filauri , President of the Cultural-mente Insieme Association. Sabrina Colle will read excerpts from the book “The Closest Sky. The Mountain in Art.” The event will be enriched by musical contributions from Hildegard de Stefano on the violin. A Commemorative Medal will be awarded.
Starts at 9:00 PM, free admission with reservations www.eventbrite.it/e/vittorio-sgarbi-il-cielo-piu-vicino-tickets-1991467537012
On July 9th and 10th there will be two Evenings different in language and atmosphere, but united by a strong theatrical tension and a profound reflection on the human being , between spirituality, memory, irony and social criticism.
On July 9th, “Ai margine della luce. Concertato a due per Francesco d’Assisi” will be performed, starring Alessio Boni (Silver Ribbon for Best Actor in a Leading Role 2004) and Marcello Prayer , for the special commemoration of the 800th anniversary of the death of Francis of Assisi . The reading-performance stems from the desire not to add new words to the figure of Francis, but to let authentic voices resonate: those of the Saint, of those who knew him and cherished him over time, and of those who still feel his living, burning presence today. An intense performance capable of unleashing a positive and vital light , inviting the audience to participate.
Starts at 9:00 PM, free tickets 5 euros on Vivaticket www.vivaticket.com/it/ticket/ai-margini-della-luce/300070
On July 10th it will be the turn of the show “The mental inferiority of women” , with Veronica Pivettiand Cristian Ruiz , based on a text by Giovanna Gra, preceded by a prologue by Maria Sole Sanasi .
The show intelligently and sharply ironically tackles one of the most glaring cultural aberrations of the last century: the idea that women were considered physiologically inferior for centuries. It is inspired by the compendium “The Mental Inferiority of Women,” written in 1900 by Paul Julius Moebius, an assistant in the neurology department at Leipzig University, who begins with the question , “How are things with the sexes? An old proverb tells us: long hair, short brains.” Through a selection of some of the most hilarious texts ever written with a pretense of scientific rationality, the show presents the audience with a paradoxical portrait of the prejudices that have marked history.
Starts at 9:00 PM, free tickets 5 euros on Vivaticket www.vivaticket.com/it/ticket/l-inferiorita-mentale-della-donna/300071
Three events that offer audiences different yet complementary opportunities for emotion and reflection, in the spirit of a theatre capable of questioning the present.
Introduced by Elisabetta Sgarbi .
In collaboration with the Municipality of Ascoli Piceno, Circolo Cultural-Mente Insieme, Ascoli Cultura Foundation, Marche Cultura Foundation, Fainplast srl, Turla costruzioni, Impresa Edile Gaspari Gabriele .
Vittorio Sgarbi
He was born in Ferrara. An art critic and historian, full professor of Art History, and member of the Academy of San Luca, he has curated exhibitions in Italy and abroad. He is the mayor of Arpino, president of the MART in Rovereto, president of Ferrara Arte, president of MAG – Museo dell’Alto Garda, and president of the Cavallini Sgarbi Foundation, which preserves his works. In 2011, he directed the Italian Pavilion at the 54th Venice Art Biennale. His series of volumes dedicated to the Treasure of Italy, a history and geography of Italian art, includes The Treasure of Italy. The Long Adventure of Art (2013), The Years of Wonders. From Piero della Francesca to Pontormo (2014), From Heaven to Earth. From Michelangelo to Caravaggio (2015), From Shadow to Light. From Caravaggio to Tiepolo (2016), From Myth to Beautiful Fable. From Canaletto to Boldini (2017), and The Twentieth Century. Volume I: From Futurism to Neorealism (2018), The Twentieth Century. Volume II: From Lucio Fontana to Piero Guccione (2019). Among his most recent publications, The Constitution and Beauty (with Michele Ainis, 2016), Leonardo. The Genius of Imperfection (2019), Caravaggio. The Horse’s Point of View (new edition 2021), Ecce Caravaggio. From Roberto Longhi to Today (2021), Raphael. A Mortal God (2022), Canova and his Beautiful Beloved (2022), Rome (new edition 2022), Discoveries and Revelations. Art Treasure Hunt (2023), Michelangelo. Noise and Fear (2023), Art and Fascism (2024), Nativity (2024), The Closest Sky (2025). All his books are published by La nave di Teseo.
Paul Del Debbio
He was born in Lucca in 1958. He obtained the academic degrees of Baccalaureate and Licentiate in Philosophy from the Pontifical Universities of the Holy Cross and Urbaniana. He teaches Ethics and Economics at the IULM University of Milan and is particularly interested in medieval economic morality and the School of Salamanca in sixteenth-century Spain. He has published, among others, In Praise of the Pendulum State. State and Market in the 21st Century (2009), Freedom (2013), More Ethics in the Market? The Deception of a Commonplace and the Responsibilities of Politics (2016), The Fiscal and Economic Ethics of Ezio Vanoni (2019), Alessandro D’Alessandria’s “Tractatus de usuris” (2021), The Economic Ethics of Rights (2021), Aristotelian Oikonomia in University Teaching between the 13th and 14th Centuries (2022), We Are All Philosophers Without Knowing It (2024). He also studies theology and is writing his first book, entitled God. What are we to do with an incomprehensible mystery? (2026). He also wrote his first novel, The Kite’s Thread: The Life of Astorre Cantacci, in 2022. A journalist and television host, he currently hosts the political and economic news and analysis programs Dritto e Rovescio (weekly) and 4 di Sera (daily) on Rete 4.
Stefano Papetti
Curator of the Network of Civic Museums of Ascoli Piceno, President of the Salimbeni Foundation for the Figurative Arts, and head of artistic initiatives for the National Association of Italian Municipalities of the Marche, he has previously taught at the universities of Macerata and Camerino. For over forty years, he has studied the most significant aspects of painting in the Marche region from the Middle Ages to Neoclassicism, topics on which he has published numerous texts and curated major exhibitions in Italy and abroad. He is committed to restoring the artistic heritage of the Marche region damaged by the 2016 earthquake by designing initiatives aimed at raising funds for the restoration of movable works of art. In 2022, he was awarded the Communicating Europe Prize by the European Parliament.
Francesca Filauri
Born in Avezzano on February 7, 1970, she has practiced as a notary in Ascoli Piceno since June 2001. She is the treasurer of the Notary Association NotarAct – Movement for the Self-Reform of the Notary Profession. She has written articles for law journals and collaborated on legal series, serving on study commissions at the National Council of Notaries. Following the 2016 earthquake, she promoted solidarity initiatives in the Piceno area, benefiting both individuals and businesses, developing the NotarAct project for earthquake victims in the Piceno area. A lifelong lover of art, literature, theater, and cinema, she has long promoted and organized cultural initiatives of all kinds, both regionally and nationally. In 2017, she founded the Cultural-mente Insieme literary club in Ascoli Piceno, of which she is president, which organizes high-profile cultural events. Since 2018, with the Circolo, she has brought the “La Milanesiana” cultural festival, conceived and directed by Elisabetta Sgarbi, to Ascoli Piceno. She is a member of the Board of Directors of the Cavallini Sgarbi Foundation, a member of the Board of Directors of the Ferrara Municipal Theater Foundation, and, since 2022, a member of the Board of Directors of the Marche Cultura Foundation, a public body that implements integrated cultural development actions and projects for the Marche Region.
Sabrina Colle
She trained artistically in Paris, working with Bertrand Bonello, among others. Upon returning to Italy, she combined her film career (The Prince’s Manuscript, 2000, directed by Roberto Andò; The Door of the Seven Stars, 2004, directed by Pasquale Pozzessere; And Laughing Killed Him, 2005, directed by Florestano Vancini) with her work in theater and television. In recent years, she has dedicated herself specifically to theater, establishing a special partnership with director Andrée Ruth Shammah and winning the Vallecorsi Theater Award in 2010.
Hildegard De Stefano
Born in Milan in 1997. After graduating from the German School of Milan, she graduated with honors in violin from the Giuseppe Verdi Conservatory of Milan in the class of Maestro Fulvio Luciani. She has participated in masterclasses and advanced courses with such eminent figures as Sergei Krylov and Anton Sorokow. She has participated for several years in the international competition “Jugend musiziert,” repeatedly winning first prizes as a soloist and in a duo. She has performed in Milan at the Teatro Dal Verme, the Sala Puccini and Sala Verdi of the Milan Conservatory, the Museo del Novecento, and abroad at the Sala Grande of the Bibliotheca Alexandrina in Alexandria, Egypt, and the German Consulate in Istanbul. In 2017, she performed as a soloist in Antonio Vivaldi’s Estro Armonico at the Milan Conservatory under the direction of Ottavio Dantone. She has performed on several occasions with chamber music groups for the MITO festival in Milan and Turin. Since 2019, she has been one of the protagonists of the television series La Compagnia del Cigno, directed by Ivan Cotroneo, broadcast on Rai 1. She is currently completing her master’s degree in violin soloism at the Giuseppe Verdi Conservatory in Milan.
Alessio Boni
Alessio Boni has had a motto since he was a teenager: “If your world doesn’t allow you to dream, escape to one where you can.” At 19, after graduating from high school with a degree in accounting, he left his job as a tiler and Lake Iseo, where he was born. He didn’t imagine he’d never return, and that, from that moment on, he’d never stop. He still didn’t know what his dream was. He looked for it in Milan (in the police force), in America (where he did everything: newspaper delivery boy, dishwasher, babysitter), then in tourist villages (as an entertainer). He finally found it at 22, the first time he went to the theater. He saw Roberto De Simone’s La Gatta Cenerentola, which changed his life. From there, he was admitted to the Silvio D’Amico Academy of Dramatic Arts in Rome; he met important masters like Andreas Rallis, Orazio Costa Giovangigli, and Peter Stein; he spent years touring with Giorgio Strehler and Luca Ronconi; His small-screen debut in The Woman on the Train, directed by Carlo Lizzani, and his big-screen debut in Marco Tullio Giordana’s The Best of Youth. His role in Matteo Carati was his springboard. His professional career took off, and role after role, he discovered new worlds to dream in: he played Caravaggio, Giacomo Puccini, Prince Andrei Bolkonsky, Walter Chiari, Ulysses, and even God in the play The Visitor, directed by Valerio Binasco. In 2021, he recounted these and other worlds dreamed and experienced in his first book, Mordere la nebbia (Solferino edition). This year, we saw him at the cinema as Don Quixote in the film of the same name directed by Fabio Segatori and presented at Bif&st 2026, and we will soon see him again on Rai Uno alongside Pilar Fogliati in Una piccola formalità, directed by Davide Marengo. At the same time, after nearly 30 years on stage and on set, curiosity has also led him to the other side of the fence. In 2015, he made his stage directing debut with The Duellists. In 2019, he staged Miguel de Cervantes’s Don Quixote. In 2024, he attempted The Iliad: his modern adaptation, after a three-year tour throughout Italy, even made it to Expo Osaka, as the flagship of the Italian Pavilion. And he already has a new, exciting idea for next year.
Marcello Prayer
Born in 1965. Graduated (1988) from the Orazio Costa Giovangigli School of Expression and Scenic Interpretation – Consorzio Teatro Pubblico Pugliese in Bari, he then followed Maestro Costa to Florence (also becoming his collaborator) and completed his training to be able to teach his methodology. He participated in the Divine Comedy project – a workshop for a Theatre of Poetry directed by Federico Tiezzi (the “I Magazzini” theatre company in Florence). With the Teatro Del Carretto in Lucca he took part in Romeo and Juliet, Iliad, Beauty and the Beast, directed by Maria Grazia Cipriani. He teaches and promotes Orazio Costa’s “Mimic Method,” applied to poetry in the form of a “Chorus,” collaborating on several occasions with the Silvio D’Amico National Academy of Dramatic Arts in Rome. Since 2015/16, he has taught Mimic Chorus at the Teatro della Pergola—the Orazio Costa actor training course—in Florence. Since 2003/04, he has been the artistic director of the Officina theater school—Teatro del Banchero in Taggia (Imperia). He is involved in two theater projects by Giorgio Barberio Corsetti: La guerra di Kurukshetra and Gospodin; and a monologue project by Roberto Aldorasi on Gesualdo da Venosa, In Flagrante Delicto – Gesualdo da Venosa, Principe dei Musici, based on a text by Francesco Niccolini. With Alessio Boni, he has been dedicated for several years to Italian poetry reading aloud, developing concerted two-part dramaturgies on Dante, Pasolini, Ciampi, Cascone, Pavese, Dante, Gaber, Merini, and recently on Francis of Assisi. With Alessio Boni, Roberto Aldorasi, and Francesco Niccolini, he founded Il Quadrivio—a theater collective—performing The Duellists, Don Quixote, and The Iliad—The Game of the Gods. He has participated in several film and television productions, working with, among others, Marco Tullio Giordana, Andrea Porporati, Fabrizio Costa, Edoardo Winspeare, Luigi Lo Cascio, Alessandro Casale, Damiano and Fabio D’Innocenzo, and others.
Maria Sole Sanasi d’Arpe
She is an advisor to the Minister of Culture on the Mattei-Olivetti plan. A journalist and writer, she has collaborated with, among others, “Il Corriere della Sera” and “Il Foglio.” She covers cultural politics, scientific humanism, and geopolitics for cultural and scientific magazines. An author and television and radio host for RAI, she is a popularizer of history for Paolo Mieli’s program “Past and Present,” as a subject matter expert on contemporary history, philosophy, literature, and cinema. She has edited the preface and translated authors such as Leon Trotsky and George Orwell. For Passigli, she published L’incoscienza sensibile (2020), with a preface by Massimo Cacciari, which won the Camaiore Opera Prima Award, the SIAE Special Award for Under 35, the Montale Fuori di Casa Award, and the Laurentum Award. In 2023, she published the books Muta a piedi. Practical and Theoretical Notebooks from the Pandemic to War, published by Link University in Rome, with a preface by Pietro Grasso, and, published by Baldini + Castoldi, Di sole menti. She lectures on poetry and new humanism at various universities. For her professional achievements, she has received the City of Women award.
Veronica Pivetti
Italian actress, television host, and writer. Born in Milan in 1965, she made her debut at just six years old as a cartoon voice actress. She transitioned to television and then film early, eventually achieving fame in 1995 with the role of Fosca in Carlo Verdone’s cult film Viaggi di nozze. On the small screen, she has worked on key Italian television programs such as Quelli che…il calcio, Il Maresciallo Rocca, alongside Gigi Proietti, Commesse, and Provaci ancora Prof. She hosted the 1998 edition of the Sanremo Music Festival. An eclectic artist, Veronica Pivetti made her directorial debut in 2015 with the film Né Giulietta, né Romeo, and is the author of five books, all published by Mondadori.
Giovanna Gra
A comic book writer and illustrator since 1985, in 1987 she began an ongoing collaboration with the “Corriere della Sera” as a graphic illustrator, which lasted ten years. In 1997, she conceived and created the texts, drawings, and animations for the multimedia product Enciclopedia della fantasia , children’s fairy tales broadcast by RAI Televideo’s Telesoftware. From 2002 to the present, she has conceived and created stories and illustrations for able-bodied, visually impaired, and blind children and adults for RAI Televideo’s Telesoftware and for the RAI Social Secretariat. Since 2006, she has written various radio dramas for Radio 2 Rai ( Storia di Giovanna , Jolanda la figlia del corsaro nero , etc.) and several entertainment programs. She is the author, for Rai Uno, of the fiction www.Miacarabefana.it , SOS Befana , and the series La ladra etc.
For years she has collaborated with Veronica Pivetti as a screenwriter, author, and director for theater and cinema.
Elizabeth Sgarbi
After 25 years as editor and editorial director of the Bompiani publishing house, Elisabetta Sgarbi founded La nave di Teseo Editore in November 2015, together with other authors including Umberto Eco, Mario Andreose, and Eugenio Lio, of which she serves as general manager and editorial director. She is also president of Oblomov Edizioni and editor-in-chief of the magazine “linus.” She conceived, and has served as artistic director for 27 years, the La Milanesiana International Festival – Literature, Music, Cinema, Science, Art, Philosophy, Theater, Law, Economics, Sports, Comics, and linus – Comics Festival, which this year reaches its fifth edition. Since 1999, she has directed and produced her own films, which have been presented at the most important international film festivals. Her most recent film is L’isola degli idealisti, in competition at the 2024 Rome Film Fest, loosely based on the novel of the same name by Giorgio Scerbanenco, produced by BibiFilm and Betty Wrong, with Rai Cinema, and distributed by Fandango. In 2020, she founded Betty Wrong Edizioni musicali, which debuted by producing Extraliscio’s double album È bello perdersi (It’s Beautiful to Get Lost ), which includes the single presented at the 71st Sanremo Music Festival, Bianca Luce Nera. In 2022, together with Margutta 86, she released the single “È così” by Luca Barbarossa and Extraliscio, followed by Extraliscio’s album Romantic Robot . She is President of the Elisabetta Sgarbi Foundation, which promotes reading, the dissemination of culture, and knowledge of art. For her cultural activities, she has received several awards, including the Ambrogino d’Oro. She is a member of the Board of Directors of the Paulo Coelho Foundation, based in Geneva. She is a member, by appointment of Pope Francis I, of the Pontifical Academy of Arts and Sciences.
La Milanesiana , the festival conceived and directed by Elisabetta Sgarbi, now in its 27th edition, travels to 18 cities across Italy with over 60 events, intertwining, as is its vocation, literature, music, cinema, science, art, philosophy, theater, law, economics, sport, and comics in a journey that over the years has shaped a unique and ever-contemporary identity.
“DESIRE AND LAW” is the theme of this 27th edition, two opposing yet deeply intertwined forces, whose relationship stands out as one of the most pressing issues of our time, a fertile ground for questioning moral and territorial boundaries, self-discipline, freedom, and responsibility.
The Rose painted by Franco Battiato, which has been the symbol of La Milanesiana since its first edition, has been reworked by Franco Achilli to represent the intertwining of Desire and Law: the flower and its scent evoke attraction, movement, and imagination, while the thorns and crystallized structure evoke limits, norms, and risk. There is no opposition between the two poles, because it is Law itself that gives form to Desire, making it perceptible, intense, and meaningful.
This edition is dedicated to Daniela Benelli and Dario Salvetti , who passed away in 2025, two people who saw La Milanesiana born and loved and enriched it with their work and passion, and to Giorgio Gosetti , director of the Noir in Festival and friend of La Milanesiana.
With its free, transversal, and ever-evolving perspective, La Milanesiana renews its vocation to interpret the present through the power of ideas, art, and words, continuing to represent a living, original, and constantly evolving cultural laboratory. The program is available on the official website.
Main Sponsors of La Milanesiana : A2A, Cariplo Foundation, Intesa Sanpaolo, Volvo Car Italia, Emilia-Romagna Region, Banca Popolare di Milano Foundation, Municipality of Bormio, Municipality of Livigno, Green Nation, Grafica Veneta Spa
Partners of La Milanesiana : Burgo Group Spa, FNM, Almo Collegio Borromeo, SIAE – Italian Society of Authors and Publishers, La Venaria Reale, Praia Resort Group, MM SPA, AEM Foundation, SSML Carlo Bo Institute of Advanced Studies, Odissea Cinema, LCA Law Firm, Corriere della Sera.
La Milanesiana thanks : Municipality of Ascoli Piceno, Municipality of Seregno, Municipality of Alessandria, Municipality of Colle Val D’Elsa, Municipality of Sondrio, Municipality of Viareggio, Municipality of Crotone, Municipality of Gatteo a Mare, Municipality of Cervia, Municipality of Longiano, Municipality of Fidenza, Piccolo Teatro of Milan, Anteo Palazzo del Cinema, Humanitas, Spazio Teatro No’hma, Fondazione Marche Cultura, Impresa Constructionile Gaspari Gabriele, Fainplast srl, Turla, Circolo Cultural-Mente Insieme, Fondazione Ascoli Cultura, Fondazione Umberto Eco, Fondazione Elisabetta Sgarbi, Fondazione Cavallini Sgarbi, Fondazione Betty Wrong, CiaccioArte, @Video, Studio Toffoletto De Luca Tamajo, Studio Volpatti, International Book Fair of Turin, Noir in Festival, Feltrinelli, A+G, Galleria Ceribelli, Ornella Bramani, Errestampa, Acinque, Rotary Club Bormio Contea, Alta Valtellina Mountain Community, BPER Banca, Bim Adda, National Park Stelvio, Levissima, Prometeica, Braulio, Dammann.
THE MILANESE 2026
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HERE YOU CAN DOWNLOAD PHOTOS, PRESS KIT AND PROGRAM:
https://drive.google.com/drive/folders/1aFU8Lftv9QZ-SSmeqeQRDVtA-PEzxUWZ?usp=drive_link
Milan, July 7, 2026