New Nationwide Screenings of Salad Days: A Decade of Punk In Washington, DC (1980-90)

New Nationwide Screenings of Salad Days: A Decade of Punk In Washington, DC (1980-90)

New Nationwide Screenings of

Salad Days: A Decade of Punk In Washington, DC (1980-90)

Watch + Share Trailer Here
The documentary is as much an historical document as it is an informative and entertaining overview on the rise of D.C. hardcore and its lasting influence.” – Billboard
“…looks to be making a late bid to be the year’s best music doc.” – The Guardian
Named one of TimeOut New York’s “10 Nonfiction Knockouts to see at DOC NYC”
Named one of
NME’s “12 Music Documentaries to Get Excited for in 2015”

The film offers a series of middle-agers looking back, some wistful, plenty still scrappy, mostly asserting they were happy just to keep blowing it all up on stage every night, even if only a few dozen people ever saw it.” – PopMatters

We are thrilled to announce that filmmakers Scott Crawford and Jim Saah will be screening their critically acclaimed documentary Salad Days: A Decade of Punk In Washington, DC (1980-90) across the country this spring.

Over four years in the making, Salad Days wrapped production last year and is now appearing in cinemas across the country as part of its limited release. The documentary is slated to make stops in various cities so be sure to check out the screening dates below. You can also watch and share the trailer here.

Salad Days Official Trailer from Scott Crawford on Vimeo.

Salad Days: A Decade of Punk in Washington, DC (1980-90) is a documentary film that examines the early DIY punk scene in the Nation’s Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows—without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry’s subsequent implosion). Thirty years later, DC’s original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.

Director/writer Scott Crawford is a music journalist, musician and graphic designer. As a teenager in the DC suburbs, he started a fanzine called Metrozine that documented much of what was happening in the DC hardcore punk scene in the 1980s. “The DC punk music scene that I grew up with in the 1980s has always been a big part of who I am,” says Scott. “I interviewed a lot of these bands for the first time over 30 years ago while doing a fanzine. Approaching them all again decades later offered a type of perspective and reflection that I wanted to capture in a film.”

Scott Crawford was also quoted in both Dance of Days and Banned in DC—the two most definitive books on the early DC punk scene. In 2001, he launched Harp Magazine and served as its Editor-in-Chief for over seven years. Crawford also launched the online music portal Blurt in 2009.

Serving as Director of Photography, Jim Saah is a native of Washington, DC who has worked professionally in photography and video for over 25 years. He has shot for a variety of publications and websites ranging from the Washington Post to Rolling Stone. He’s also an experienced videographer whose credits range from union organizing films to music documentaries. Recent films he has worked on include movies about the bands Wilco,Death Cab for Cutie, and Eddie Vedder.

Quick Facts:
• “Salad Days” reached its Kickstarter goal in 6 days.
• Features never-before-seen photographs and performance footage of dozens of DC punk bands.
• Includes interviews with Ian MacKaye, Henry Rollins, John Stabb, Thurston Moore, Dave Grohl, and others
• Original score by guitarist Michael Hampton (SOA, Faith, Embrace, One Last Wish)

Upcoming Screenings:
February 14 at Top Hat in Missoula, MT (Big Sky Film Festival)
February 15 at Midtown Cinema in Harrisburg, PA
February 21 at Roxie Theatre in San Francisco, CA (West Coast Premiere)
February 25 at SPACE Gallery in Portland, ME
February 27 at Kiggins Theatre in Vancouver, WA
February 27 at The Regent in Los Angeles, CA
February 27 at Grand Illusion Cinema in Seattle, WA
March 1 at Stage II Cinema in Amesbury, MA
March 2 at Prytania Theatre in New Orleans, LA
March 6 at Circle Cinema in Tulsa, OK
March 6 at UCSD in San Diego, CA
March 8 at Underground Arts in Philadelphia, PA
March 13 at XOXO B Modern Events Venue in Las Vegas, NV
March 15 at Byrd Theater in Richmond, VA
March 19 at Metro Gallery in Baltimore, MD
March 20 at Greenwich Odeum in East Greenwich, RI
March 20 at Ojata Records in Grand Forks, ND
March 22 at Alamo Drafthouse in Houston, TX
March 22 at Alamo Drafthouse in Austin, TX
March 23 at Alamo Drafthouse in Dallas, TX
March 27 at Hollywood Theater in Portland, OR
March 30 at High Noon Saloon in Madison, WI
April 10 at AS220 in Providence, RI
April 16 at The Local 662 in Tampa, FL
April 17 at Gateway Film Center in Columbus, OH
April 17 at Headliners Music Hall in Louisville, KY
April 17 at FilmBar in Phoenix, AZ
April 17 at IFC in New York, NY
April 18 at BSP Kingston in Kingston, NY
April 18 at The Hollywood Theater Dormont in Pittsburgh, PA
April 23 at Bryant Lake Bowl & Theater in Minneapolis, MN
April 24 at The North Door in Austin, TX
April 24 at Studio C in Lansing, MI
April 25 at The Michigan Theater in Ann Arbor, MI

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New Nationwide Screenings of Salad Days: A Decade of Punk In Washington, DC (1980-90)