Next week NYC’s Rathborne come to Europe to tour with Guster (dates attached below).
February 16, 2015
“Complex but melodic, sugary but acerbic, high-energy but suffused with ennui” – The Guardian
“‘SOFT” is an upbeat and melodic piece of idiosyncratic power pop with Dylan-esque moments. – 8/10 Stars ✰✰✰✰✰✰✰✰✮✮” – PopMatters
“SOFT” makes me hard.” – Albert Hammond Jr.
“Rathborne is exploding at the seams with creative energy” – Bullett
“I love this young dude… After hearing’ his album, I proposed to him and asked him to play a show with us in Philly.” —Devendra Banhart
Tour Dates supporting Guster:
RATHBORNE TOUR DATES: (w/Guster)
Mar 3 – Manchester, UK Deaf Institute
Mar 4 – London, UK Bush Hall
Mar 5 – Paris, France L’International (Free Concert)
Mar 6 – Brussels, Belgium Witlobar at Botanique
Mar 8 – Rotterdam, Netherlands
Mar 9 – Hamburg, Germany Prinzenbar
Mar 10 Berlin, Germany Privatclub
Mar 12 Cologne, Germany Blue Shell
Mar 13 Frankfurt, Germany Nachteben
Mar 14 Munich, Germany Orangehouse
Mar 15 Vienna, Austria Chelsea
Mar 16 Zurich, Switzerland Kinski
In the words of SPIN, “SOFT segues back and forth through the American underground, channelling the garage-rock sludge of Ty Segall and resurrecting the melodic charms of R.E.M.” With a hint of Big Star, SOFT never stops moving bounding from one song to the next, marrying the fast-and-loose ethos of punk underlords like Mac Demarco and the sweet melodies of Unknown Mortal Orchestra has allowed Rathborne to storm the US underground over the past year. The record’s first single, “Last Forgiven” just snagged a debut on BBC Radio 1 with Zane Lowe calling Rathborne his, “Next Hype Artist” and heaping praise on the upcoming release.
At times bouncy-Ramones, with splashes of Dylan, Pavement, The Strokes and Lou Reed, SOFT feels concise and poppy, with plenty of darkness lying under the surface, like some of the early work of Nick Lowe.
“It’s a record that charts the course of a relationship,” Rathborne explains. “I felt like love had imploded. There was no place for me to be anymore. That’s a strange thing to feel when you’re twenty three. Like everything had gotten out of control. I ran out of money. I ran out of time.”
However, ultimately, “The feeling of the record is incredible energy,” says Rathborne. “Youthfulness, lust – the feeling of breaking out of yourself, unchaining yourself, forcing yourself to be free.” That same spirit of optimism and restlessness also characterizes Rathborne’s career to date. He learned how to play guitar at age 12, when a stranger who was passing through the small town in northern Maine left the instrument at his house, “There was a lot of freewheelin’ types passing through my house when we were kids” he reflects.
Inspired by the DIY spirit of punk rock, he recorded his first album, After Dark, when he was just 16 years old, sneaking into the recording studio of his local college late at night and teaching himself how to use the equipment. Rathborne relocated to New York when he was 18, where he connected with famed Tin Pan Alley producer Joey Levine. From there, Rathborne began steadily honing his skills, booking himself a weeklong UK tour, netting a slot opening for The Strokes at SXSW and recording the EP I Can Be One/Dog Years, which earned him an appearance on BBC 6 Music.
Produced by Rathborne and Emery Dobyns (Battles, Patti Smith), with co-production by Albert Hammond, Jr., and Gus Oberg the record nestles honey-sweet hooks inside tangles of guitar and Darren Will’s percolating bass.
“So Long NYC,” is speed-racing Guided By Voices-style glory flipping the mythologizing associated with New York upside down. “It’s like the antithesis of a Frank Sinatra song,” he says. “There was a point for about a year where I was crashing between peoples’ apartments. I would work in a bar near Union Square and walk around the streets after it was dark. Wandering through New York City late at night when everyone else was asleep, it made me feel like I had stumbled onto something secret.”
That contradictory impulse – romanticism and cynicism, energy and exhaustion, is what powers SOFT, and what dusts its cotton candy melodies with a fine layer of grit. “As you get older, the feeling of being drawn between something grows and for me it becomes music,” The results are as infectious as they are complex. “Hopefully, there’s something hidden in it for everyone.”
Get ready to get SOFT on February 16th through True Believer.