People’s Blues of Richmond Debut New Music

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PEOPLE’S BLUES OF RICHMOND DEBUT NEW MUSIC AT RELIX & CONSEQUENCE OF SOUND, NEW LP QUIT OR DIE OUT JUNE 10

Listen to People’s Blues of Richmond’s “All The Things (I Couldn’t Say To You)” at Relix
Listen to “Quit or Die” at Consequence of Sound
Check out the video for “Gone Gone Gone” at Crave

Stream tracks from Quit or Die


RIYL: White Stripes, Modest Mouse, The Mars Volta
People’s Blues of Richmond have also been featured previously at PopMatters, Guitar World & more.

 

Photo: People’s Blues of Richmond [L-R]: Tim Beavers, Neko Williams, Matt Volkes. Photo by Roger Gupta.

“Take this band seriously, or miss hearing what vital guitar rock sounds like in 2016.” – Consequence of Sound
“A psychedelic dreamland of mysterious sirens, flophouse destruction & good ol’ drug-fueled rock & roll mayhem.” – Crave

“Fierce, proggy psych-punk.” – Relix
“Brings to mind two recent rock LPs in particular, both by the same artist: the Black Keys. The first is 2014’s Turn Blue; the psychedelic washes of “Outta My Mind” align quite closely with the ’60s psych mood of that  album. Most of all, however, it brings to mind the megahit record Brothers, with its retro-minded production and songwriting.” – PopMatters

“A maelstrom of songwriting and camaraderie.” – Guitar World

“A cross between The Black Keys and Black Sabbath with a healthy dose of Led Zeppelin cock-strut appeal—dark and heavy rock n’ roll, dosed in psychedelia and driven by metal-shredded guitar and bluesy riffage.” – Creative Loafing

 

May 4, 2016 – Relix has premiered new track “All The Things (I Couldn’t Say To You)” off People’s Blues of Richmond’s upcoming LP Quit or Die, out June 10, calling the album “fierce, proggy psych-punk.” This comes on the heels of Consequence of Sound releasing the album’s title track and issuing the following mandate: “Take this band seriously, or miss hearing what vital guitar rock sounds like in 2016.”
People’s Blues of Richmond is a heavy-touring power trio from Richmond, Va. In the past two years, they’ve signed with Madison House Booking, recorded their third full-length studio album, released a 7-inch single with sought-after rock & roll producer Mark Neill (Black Keys, The Hives, J. Roddy Walston & the Business), and have been featured at outlets such as PopMatters, Guitar World, CraveOnline, Relix and more. People’s Blues of Richmond managed to fit in their recent studio work while constantly touring the U.S., packing clubs and theaters full of amped-up fans, selling out The Hamilton in D.C., headlining NYC’s Bowery Ballroom and a dozen festivals around the country, playing Red Rocks and massive outdoor festivals like Electric Forest, LOCKN’ & Gasparilla, and sharing bills with legends & critical favorites like Modest Mouse, Tom Petty, Gary Clark Jr., Gogol Bordello and Dinosaur Jr.
Their new album (out June 10)  was recorded in Richmond by Ricky Olson at The Ward, and is named after the band’s intense new one-minute and 35 second hit of proggy psych-punk, ”Quit or Die.” As People’s Blues pounds into the first chorus, singer Tim Beavers II howls, “Compromise is suicide when your choice is quit or die!” The song explores the hardships of addiction, from eviction notices to regrettable drug deals. Quit or Die is filled with thought-provoking lyrics as the band sonically claws through the speakers like some mutant beast. The songs “Richmond City Hangover Blues” and “The House on Oregon Hill” are shout-outs to their filthy/beautiful hometown, while “The March” and “I Understand” both exemplify the band’s love of life on tour and all the insanity that comes with it, and “I Love You” and “Just Tears” express the futility and anguish of love gone awry. The moods shifts from dark and brooding to manic and frenzied as if the record itself was suffering from borderline personality disorder.
People’s Blues of Richmond was originally formed in 2009 by bass player Matthew Volkes and guitarist Tim Beavers II. They found their first drummer, Raphael Katchinoff in the Richmond music scene and played with him for four years and two albums. During the making of their second album, Good Time Suicide, they were joined by keyboard player Tommy Booker, but he and Raphael soon turned their focus to their other group, Southern Belles. Then, Neko Williams (son of Drummie Zeb from The Wailers) took over on drums. After the switch, Volkes, Beavers & Williams all moved in together and began touring full time in a 15 passenger Ford van. They’ve been going non-stop ever since, spending all hours of the day either traveling, playing, writing, recording or planning their next step. After years together, on the road and off, the three are more than just bandmates, they’re brothers. It’s a camaraderie that shows in their music and beyond. “No matter what, we look out for each other,” Volkes says. “If I have a sandwich, Tim and Neko get a bite, too. We’re all in this together.”
The band is currently working on a “Quit or Die” music video before continuing to take audiences by storm with their unbelievable live shows, which often include smashed guitars, blazing light shows and brilliant projections from Dustin Klein of Videometry (who also lives with the band back in Richmond).
“The whole concept behind People’s Blues of Richmond,” Beavers says, “is that we all struggle, we all experience pain. Life is full of highs and lows, and we all work hard to survive. So we do the only thing we know how—we get out on the road, and we keep moving forward. We become a part of something bigger than ourselves.”

To set up an interview with People’s Blues of Richmond, or get your hands on press passes, advance music, hi-res photos, album art or videos, contact Baby Robot publicist John Graffo.

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