New album “Fractures” out 1st September on Disposable America
“Band to watch” – Stereogum
“Built on heavy-hearted, reverberating guitars that are as nostalgic for their mournful tone as they are for their reminiscence of Sparklehorse.” – Consequence Of Sound
“Subtle, subdued, and spiralling” – Gold Flake Paint
“Sleepy little back-porch rock…with thin percussion, wispy vocals and a nowhere-fast melody” – The Fader
Soft Fangs is happy to share with you his new single, taken from forthcoming sophomore album, ‘Fractures’ out 1st September on Disposable America. Gold Flake Paint premiered ‘Elephant Girl’ calling it “a gorgeous haze of a track, crafting a half-dream shadowiness that recalls Sparklehorse in his most linear form and balancing just the right amount of light and dark for the whole thing to fully intrigue as well as simply charm.”
Soft Fangs is the musical project of Brooklyn-based songwriter, John Lutkevich. Since his first EP (soft fangs | 2014) and subsequent full length (The Light | 2016), Lutkevich has been enticing audiences all over with his purposefully crafted dark pop.
Influences like The Beach Boys, Leonard Cohen and Pavement melt together to form a scuzzy tangle – from which emerges a dreamier sound reminiscent of acts like Sparkle Horse – while literary inspiration comes from the magical realism of author Gabriel Garcia Marquez and avant-garde poet Robert Creeley.
On his latest release ‘Fractures,’ Lutkevich says: “The LP is a collection of songs that I wrote over the past year in fragments and then recorded in three days during a snowstorm in Maine. I wanted to take these songs that I’d written leisurely over the span of a year and then record them very quickly. It’s the first album where I’ve enlisted the help of others to engineer, so I let my good friends Bradford Krieger & Chaimes Parker (Big Nice Studio) handle all of the recording aspects, and I just got to run from instrument to instrument.”
Songs like ‘Honey Colony,’ drip around the ears of the listener, melding the story of a bee with that of a workaholic, while other songs like ‘Elephant Girl’ and ‘We Don’t Live Together Anymore’ take on abstract interpretations of loneliness and alienation.