Value Void share new single "Teen For Him" via The Fader from debut album Sentimental due out on Tough Love on 26 October 2018

By Steve Janes

On September 6, 2018

In News

Value Void

Share new single “Teen For Him” via The Fader

Taken from their debut album Sentimental

Due out on Tough Love on 26 October

Listen to “Teen For Him”

Live dates:

1 November – Stag’s Head, Hoxton, London – album launch (with support from Grimm Grimm)

10 November – Sebright Arms, London, w/Olden Yolk

London trio Value Void share the third single, “Teen For Him“, from their debut album Sentimental, due out on 26 October via Tough Love, released on limited edition green vinyl, CD and download (pre-order link: http://smarturl.it/ValueVoidLP). Last week the band played their first ever BBC 6Music session for Tom Ravenscroft, which you can listen back to here. They will play an album launch show at The Stag’s Head in London on 1 November.

“Teen For Him” was premiered via The Fader, who said; “they make bittersweet and loose-around-the edges indie-pop.”

Marta Zabala from the band explains more about the song; “‘Teen for Him’ was written in Buenos Aires ages ago, probably 2015 whilst Paz and I were working as assistants in a Social Gaming Company. It’s a childish song about those moments when someone is having a personal crisis and are overcome by some weird infatuation, where the object of their desire has nothing to do with them. Like filling a gap.”

This follows the single “Babeland” which Gorilla VS Bear described as; “a dreamy, infectiously nostalgic lament for a time and place that seems just out of reach. It’s a disarmingly touching and beautiful sentiment, and disenchantment has rarely sounded so sweet.” Gorilla VS Bear also premiered their first single, “Back In The Day”, saying it; “rides that taut, moody post-punk groove into a soaring chorus that feels like pure, sweet catharsis.”

a dreamy, infectiously nostalgic lament for a time and place that seems just out of reach. It’s a disarmingly touching and beautiful sentiment coming from Paz, and disenchantment has rarely sounded so sweet.
Read More: London’s Value Void announce debut LP Sentimental, share new single “Babeland” | http://www.gorillavsbear.net/londons-value-void-announce-debut-lp-sentimental-share-new-single-babeland/?trackback=tsmclip

Value Void are an offbeat proposition. A startling bolt from nowhere, their debut album Sentimental is a collection of luxuriantly deep, shag pile-warm, analogue proto-punk. Paz Maddio and Marta Zabala grew up with each other in Azul, a small town south of Buenos Aires, where the seeds of this project were sown. They collaborate in the same way that Elton John and Bernie Taupin wrote songs, with Marta penning lyrics then taking them to Paz to spin them in to music.

Marta first came to London on tour with the super-slanted art punks Los Cripis, where she met Luke Tristram (of Cop, Score and Owner) who released their record via his Unwork label. Paz followed to join them and scrape rent from the city’s bars and cafes.

By early 2017 the three of them were holed up in practice rooms, Luke adding Evens-esque basslines that laid concrete to their minimalist guitar-lead pop songs. Originally as WVS, they started playing shows with bands that had once orbited the tiny Power Lunches venue in Hackney and, since its death, were now to be found on bills at DIY Space, New River Studios and other dusty successors of its autonomous, cheap drink, creative-friendly spirit. In common with bands like Shopping, rudimentary surroundings and resources fed into nonetheless ambitious, hooky work. Songs such as “Teen For Him,” a self-effacing lark importing strains of Leslie Gore and the Velvets; the minimal, Guided by Voices-reminiscent chug of “Bariloche” and “Cupids Bow,” an up tempo, Breeders-esque standout, were lynch pins of a pummeling, inspired set.

In April of that year, they recorded with Euan Hinshelwood of Young Husband at the studio TVT, in an overlooked corner the other side of Blackheath, tucked under giant knots of flyover on the way to Charlton in South East London.

The intention was casual but the results, seven dazzlingly assured songs nailed in a couple of days, sucked attention from several quarters as they skipped between hard drives. They secured a tour with Frankie Cosmos and signed to London label Tough Love.

Upon deciding to flesh the songs out for a full length, they returned to TVT studios with Euan in April this year, tweaking the mix and laying down two new songs: “Mind,” a down tempo lullaby/lament in which the band track into the territory of early St. Vincent, Grouper or Julianna Barwick, supported by a raw dirge that blossoms in feedback, and “The Deluge,” which is also reflective but structured by a roaming curiosity and big chorus seeking road movie oblivion.

The album is instantly affecting, with an ease and clarity that suits the elegance of the lyrics: coded love songs and cool reflections on life which are all the more vulnerable and touching sung in Paz Maddio’s lilting, ultrachromatic voice – a ceramic-sharp diagonal transatlantic on a pure open tone, with subtle waves of vibrato at its top end. It’s a particular heart breaker on tracks such as “Babeland” and “Dead Ladies Lament”.

Restricted to a palette of drums, bass, guitar and double tracked vocals caught on 2″ tape, coloured here and there with a daub of feedback or a passage of ground-shifting tape delay, this is the sort of thing that gets called “stripped back”. It speaks to the powerful understatement at the heart of their style, but it fails to capture the crafty, delicate, taught and spaced-out ride Value Void subject you to: a species of NY proto-punk and Californian post-hardcore born miraculously from London’s piss swilling street level like religious icons in toast.